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Taiwan International Ethnographic Film Festival - NYCU tour

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20240429|Critical Curatorial Practices in the 21st Century: Public Space, New Media and Geopolitics

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心態史拓撲學:如何面對當代?如何理解歷史?

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ICCS WPS 10 Urban refugees and asylum-seekers: Health status and access to appropriate healthcare service system

ICCS WPS 10 Urban refugees and asylum-seekers: Health status and access to appropriate healthcare se...

ICCS WPS 11 The Great Japan Wave: Polish Japonisme from Paris as rooted in the symbolic capital of Feliks Jasieński Manggha

ICCS WPS 11 The Great Japan Wave: Polish Japonisme from Paris as rooted in the symbolic capital of F...

ICCS WPS 13 From “Unsinkable Aircraft Carrier” to “Chip Foundry for the Borg”: Reflections on the U.S. – P.R.C. War and Taiwan’s Role in Technological Totalization

ICCS WPS 13 From “Unsinkable Aircraft Carrier” to “Chip Foundry for the Borg”: Reflections on the U...

ICCS WPS 13 From “Unsinkable Aircraft Carrier” to “Chip Foundry for the Borg”: Reflections on the U.S. – P.R.C. War and Taiwan’s Role in Technological Totalization

ICCS WPS 13 From “Unsinkable Aircraft Carrier” to “Chip Foundry for the Borg”: Reflections on the U...

ICCS WPS 14 Railways and Trains. A Set of Relations

ICCS WPS 14 Railways and Trains. A Set of Relations Céline Belledent Behind train journeys and their...

ICCS WPS 15 Same-sex Marriage in Taiwan: Can It Evade the Normalization of Gays and Lesbians?

ICCS WPS 15 Same-sex Marriage in Taiwan: Can It Evade the Normalization of Gays and Lesbians? Alain ...

ICCS WPS 15 Same-sex Marriage in Taiwan: Can It Evade the Normalization of Gays and Lesbians?

ICCS WPS 15 Same-sex Marriage in Taiwan: Can It Evade the Normalization of Gays and Lesbians? Alain ...

ICCS WPS 16 There Is an Island… (A World Apart)

ICCS WPS 16 There Is an Island… (A World Apart) Alain Brossat Island, war, film, heterotopia, utopia...

ICCS WPS 17 How do films make us think?

ICCS WPS 17 How do films make us think? Alain Brossat This paper is inspired by Gilles Deleuze’s def...

ICCS WPS 19 影像管治,以及中國紀錄片的展覽轉向

ICCS WPS 19 影像管治,以及中國紀錄片的展覽轉向 曾涵生 中國紀錄片的展覽轉向,即紀錄片從放映式「電影」轉換成展覽式「影像」的這種場域遷移,近幾年來日漸鮮明,紀錄片和當代藝術的界限因而變得曲...

ICCS WPS 20 What is happening to us

ICCS WPS 20 What is happening to us Alain Brossat An interview of Alain Brossat by Cédric Cagnat in ...

ICCS WPS 21 The Coronavirus as Interregnum

ICCS WPS 21 The Coronavirus as Interregnum Juan Alberto Ruiz Casado The coronavirus crisis is changi...

ICCS WPS 23 Racial Supremacism and the Grammar of Species in Films

ICCS WPS 23 Racial Supremacism and the Grammar of Species in Films Alain Brossat Phenotypes are a cr...

ICCS WPS 25 Position Paper Migrations and the populist closure of Europe

ICCS WPS 25 Position Paper Migrations and the populist closure of Europe Rada Iveković AbstractMigra...

ICCS WPS 26 Position Paper Precariat:一個階級概念的回顧與爭論

ICCS WPS 26 Position Paper Precariat:一個階級概念的回顧與爭論 李曉天 Abstract:近年來,precariat作為以全球勞工所面臨的不穩定性為基礎的一個新的階...